When it comes to my little Betty, though, it really is a different story. She, of course, is unbelievably clever beyond her years. Below is a picture that she has just drawn to demonstrate this.
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She did this completely on her own, with absolutely no guidance from me. The colours, the composition, perspective, texture and tone: all were her own inspiration. The deep reds, oranges and yellows used in this drawing create a very warm and loving atmosphere. In the middle of this wondrous backdrop, a black sculpture sits predominantly in the picture signifying, I would argue, her understanding of the world today. The ¬[p0 b’ [sorry, Betty just typed that with her foot] sculpture is positioned close to the picture plane, allowing the viewer to almost experience that understanding; the intense and jumbled background combines with the sculpture’s proximity to the picture plane, to create tangible depth in the picture. The tonal range is wide, with a strong contrast between the dark sculpture and the warm background.
To sum up – although such a summary is clearly an impertinence when dealing with art of this order of sT40ub [sorry again, Betty just commandeered the keyboard with her toy traffic light] …order of subtlety, I was saying – it is abundantly clear that the piece not only challenges established notions of representative art; what we are dealing with seems to me nothing short of a revolution in form and style. Various private collectors have contacted me with a view to purchase. Needless to say, the work is not for sale.